Page 109 - Glasbenopedagoški zbornik Akademije za glasbo v Ljubljani / The Journal of Music Education of the Academy of Music in Ljubljana, leto 7, zvezek 16 / Year 7, Issue 16, 2011
P. 109
avko Drenjanèeviæ, SLAVONSKI FOLKLORNI NAPEVI Z VIDIKA TONSKIH NIZOV
Zdravko Drenjanèeviæ
Umetniška akademija v Osijeku
SLAVONSKI FOLKLORNI NAPEVI Z VIDIKA
TONSKIH NIZOV
Izvleèek
Prièujoèi sestavek prinaša prikaze tonskih struktur slavonskih folklornih
napevov. Predstavljene ugotovitve temeljijo na rezultatih, ki jih je avtor dobil z
analizo slavonskih tradicionalnih napevov, pa tudi z veèletnim sistematiènim
preuèevanjem muzikološke specifiènosti slavonske ljudske glasbe.
Avtorjeva interpretacija tonskih nizov je izvedena po naèelih klasiène
glasbene teorije in zaobsega popis in analizo vseh intervalnih odnosov med toni, s
posebnim poudarkom na tistih, ki predstavljajo specifiène znaèilnosti doloèene
lestvice. Glede na število tonov, ki gradijo posamezen niz ter sestavljajo lestvièen
vzorec, avtor razvrsti posamezne napeve po kompleksnosti njihove tonske
gradnje.
Kljuène besede: hrvaška ljudska glasba, slavonska ljudska glasba, Šokac,
etnomuzikologija, glasbena teorija
Abstract
Slavonian folk tunes from the aspect of tone lines
This work presents the tone structure of Slavonian folk tunes. The brought up
annotations are first of all based on the result gained by the author through the
analysis of Slavonian traditional tunes, but also through a systematical study of
the problems in Slavonian folk music throughout many years.
Interpreting the tone lines he was lead by the principles of classical music
theory, which included the recording and the analysis of all interval relations
between tones with a special emphasis on those which represent specific
characteristics of a given scale. Beside the number of tones, of which a particular
line and the given scale forms are built, the author also gives his point of view on
complex tone structure examples of particular tunes.
Key words: Croatian folk music, Slavonian folk music, Šokci /shoktzi/,
Ethnomusicology, music theory
109
Zdravko Drenjanèeviæ
Umetniška akademija v Osijeku
SLAVONSKI FOLKLORNI NAPEVI Z VIDIKA
TONSKIH NIZOV
Izvleèek
Prièujoèi sestavek prinaša prikaze tonskih struktur slavonskih folklornih
napevov. Predstavljene ugotovitve temeljijo na rezultatih, ki jih je avtor dobil z
analizo slavonskih tradicionalnih napevov, pa tudi z veèletnim sistematiènim
preuèevanjem muzikološke specifiènosti slavonske ljudske glasbe.
Avtorjeva interpretacija tonskih nizov je izvedena po naèelih klasiène
glasbene teorije in zaobsega popis in analizo vseh intervalnih odnosov med toni, s
posebnim poudarkom na tistih, ki predstavljajo specifiène znaèilnosti doloèene
lestvice. Glede na število tonov, ki gradijo posamezen niz ter sestavljajo lestvièen
vzorec, avtor razvrsti posamezne napeve po kompleksnosti njihove tonske
gradnje.
Kljuène besede: hrvaška ljudska glasba, slavonska ljudska glasba, Šokac,
etnomuzikologija, glasbena teorija
Abstract
Slavonian folk tunes from the aspect of tone lines
This work presents the tone structure of Slavonian folk tunes. The brought up
annotations are first of all based on the result gained by the author through the
analysis of Slavonian traditional tunes, but also through a systematical study of
the problems in Slavonian folk music throughout many years.
Interpreting the tone lines he was lead by the principles of classical music
theory, which included the recording and the analysis of all interval relations
between tones with a special emphasis on those which represent specific
characteristics of a given scale. Beside the number of tones, of which a particular
line and the given scale forms are built, the author also gives his point of view on
complex tone structure examples of particular tunes.
Key words: Croatian folk music, Slavonian folk music, Šokci /shoktzi/,
Ethnomusicology, music theory
109
