Page 106 - Glasbenopedagoški zbornik Akademije za glasbo v Ljubljani / The Journal of Music Education of the Academy of Music in Ljubljana, leto 7, zvezek 16 / Year 7, Issue 16, 2011
P. 106
SBENO-PEDAGOŠKI ZBORNIK, 16. zvezek
possible to advance from the easy to the complex or from known to unknown
fields respectively.
The term of „extended techniques“ is to be taken in a literal sense! For
example the production of multiphonics requires the play and comprehension of
natural and artificial harmonics as well as a differentiated prospect of string
vibration modes. However, they can be inserted at an early stage of the training
appropriate to the student’s age. They especially need to be a part of the teacher’s
education and training.
References
Bach, M., Ochs, A., Alle, B. (1991). Fingerboards & overtones: Pictures,
basics and model for a new way of cello playing. München: Ed.
Spangenberg.
Biffio, G. (2004). Synchronisation: for cello with 2bows. © Biffio, 2004, Score
+ Video.
Biffio, G. (2009). Neue Spieltechniken auf dem Cello - Demonstration und
Klanganalyse. Kolloquium Musikalische Akustik und Audiotechnik,
Detmold, June 22.
Bundler, D. (1999). “Interview with Mari Kimura.” Accessed January 31,
2012. http://www.angelfire.com/music2/davidbundler/kimura.html.
Dresser, M. (2009). “Double bass multiphonics.” The Strad October 2009:
72–75.
Forlivesi, C. (2003). Più mesto: for 2-bow cello. 2003, ed. © Forlivesi, 2003.
Guettler, K. (1994). “Wave analysis of a string bowed to anomalous low
frequencies.” In Catgut Acoustical Society. Vol. 2, No. 6, Nov. 1994, 8–14.
Microsoft Word - ALF CASJ.doc.
http://www.nmh.no/87/31112/Wave_analysis_of_a_string_bowed_to_anom
alous_low_frequencies.pdf. Accessed November 31, 2011.
———. 2002. “The Bowed String: On the Development of Helmholtz Motion
an On thhe Creation of Anomalous Low Frequencies.” PhD thesis, Royal
Institute of Technology - Speech, Music and Hearing, KTH Vetenskap och
Konst.
Guettler, K., Thelin, H. (2010). “Analysis of Bowed-String Multiphonics:
Proceedings on the International Symposium on Music Acoustics.”
Microsoft Word - Guettler-Thelin Multiphonics.doc. Accessed September
08, 2010. http://isma2010.phys.unsw.edu.au/proceedings/papers/p15.pdf.
Lachenmann, H., Häusler, J. (1996). Musik als existentielle Erfahrung:
Schriften 1966 - 1995. Frankfurt am Main, Leipzig: Breitkopf und Härtel;
Insel-Verl.
Fung, L. (2006). Caged (Version 3 ): for amplified cello (with two bows) and
CD. © Fung Lam, 2006.
106
possible to advance from the easy to the complex or from known to unknown
fields respectively.
The term of „extended techniques“ is to be taken in a literal sense! For
example the production of multiphonics requires the play and comprehension of
natural and artificial harmonics as well as a differentiated prospect of string
vibration modes. However, they can be inserted at an early stage of the training
appropriate to the student’s age. They especially need to be a part of the teacher’s
education and training.
References
Bach, M., Ochs, A., Alle, B. (1991). Fingerboards & overtones: Pictures,
basics and model for a new way of cello playing. München: Ed.
Spangenberg.
Biffio, G. (2004). Synchronisation: for cello with 2bows. © Biffio, 2004, Score
+ Video.
Biffio, G. (2009). Neue Spieltechniken auf dem Cello - Demonstration und
Klanganalyse. Kolloquium Musikalische Akustik und Audiotechnik,
Detmold, June 22.
Bundler, D. (1999). “Interview with Mari Kimura.” Accessed January 31,
2012. http://www.angelfire.com/music2/davidbundler/kimura.html.
Dresser, M. (2009). “Double bass multiphonics.” The Strad October 2009:
72–75.
Forlivesi, C. (2003). Più mesto: for 2-bow cello. 2003, ed. © Forlivesi, 2003.
Guettler, K. (1994). “Wave analysis of a string bowed to anomalous low
frequencies.” In Catgut Acoustical Society. Vol. 2, No. 6, Nov. 1994, 8–14.
Microsoft Word - ALF CASJ.doc.
http://www.nmh.no/87/31112/Wave_analysis_of_a_string_bowed_to_anom
alous_low_frequencies.pdf. Accessed November 31, 2011.
———. 2002. “The Bowed String: On the Development of Helmholtz Motion
an On thhe Creation of Anomalous Low Frequencies.” PhD thesis, Royal
Institute of Technology - Speech, Music and Hearing, KTH Vetenskap och
Konst.
Guettler, K., Thelin, H. (2010). “Analysis of Bowed-String Multiphonics:
Proceedings on the International Symposium on Music Acoustics.”
Microsoft Word - Guettler-Thelin Multiphonics.doc. Accessed September
08, 2010. http://isma2010.phys.unsw.edu.au/proceedings/papers/p15.pdf.
Lachenmann, H., Häusler, J. (1996). Musik als existentielle Erfahrung:
Schriften 1966 - 1995. Frankfurt am Main, Leipzig: Breitkopf und Härtel;
Insel-Verl.
Fung, L. (2006). Caged (Version 3 ): for amplified cello (with two bows) and
CD. © Fung Lam, 2006.
106
