Page 156 - Glasbenopedagoški zbornik Akademije za glasbo v Ljubljani / The Journal of Music Education of the Academy of Music in Ljubljana, leto 13, zvezek 27 / Year 13, Issue 27, 2017
P. 156
SBENOPEDAGOŠKI ZBORNIK, 27. zvezek
Appendix 9: Love is (private, non published material)
Appendix 10: Similar characteristics
A. I. Haèaturjan: Masquerade, Love is
Waltz
1. perception - measure
1, 2, 4, 7, 9 – the numbers show the 2. dance character, walz
similarity with the song Love is 3. built on the interval of third: gradual
***character, play, rhythmical
discreet support contour then third
4. melody is built further from the same notes
L. van Beethoven: 6th
5. based on the following tones: d-e fis-g-a (D major)
Symphony in F major,
6. melody leads to the calmness of Tonic
5. st. Allegretto (for the first period), but in the second period it is
tended to have convincing high ending
1, 2, 3, 4, 7 – the numbers show the
similarity with the song Love is 7. dynamic gradation toward the end: p-mf-f
***based on one theme, the
instruments are changing, dynamics, 8. change in the melodic contour reflected by the text
arrangement, character, repetition
9. at the end perception of the scale
(d-e-fis-g-a-h-cis-d)
156
Appendix 9: Love is (private, non published material)
Appendix 10: Similar characteristics
A. I. Haèaturjan: Masquerade, Love is
Waltz
1. perception - measure
1, 2, 4, 7, 9 – the numbers show the 2. dance character, walz
similarity with the song Love is 3. built on the interval of third: gradual
***character, play, rhythmical
discreet support contour then third
4. melody is built further from the same notes
L. van Beethoven: 6th
5. based on the following tones: d-e fis-g-a (D major)
Symphony in F major,
6. melody leads to the calmness of Tonic
5. st. Allegretto (for the first period), but in the second period it is
tended to have convincing high ending
1, 2, 3, 4, 7 – the numbers show the
similarity with the song Love is 7. dynamic gradation toward the end: p-mf-f
***based on one theme, the
instruments are changing, dynamics, 8. change in the melodic contour reflected by the text
arrangement, character, repetition
9. at the end perception of the scale
(d-e-fis-g-a-h-cis-d)
156
