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Urška Starc Peceny, Tomi Ilijaš Matevž Straus     Digital Innovation of Cultural Heritage




               Technical Standards for 3D Digitisation      here (in Slovenian and English): https://tourism4–0.
               Pending the establishment of standard European   org/heritage/toolkit/. Digital innovation of cultural
               guidelines for the unification of digitisation activ-  heritage projects changed in 2019 when the Slovenian
               ities under Tourism 4.0, particularly its Heritage+   Ministry of Economic Development and Technology
               sub-programme, the Tourism 4.0 Partnership pro-  set out to become the leading European country to
               duced the Technical Guidelines T4.0: Digital Inno-  systematically develop unique tourist experiences by
               vation of Cultural Heritage in 2019. These guidelines   applying digital innovation to cultural heritage. With
               represent essential technical standards in the process   that as a goal, the Ministry published a public call for
               of digitising cultural heritage. The guidelines offer a   leading tourist destinations (35) that also involved
               technical framework to all actors involved in digiti-  co-financing ‘digital innovation of cultural heritage’
               sation processes - heritage institutions, local and na-  activities. The ‘Public Call for Building Competencies
               tional governments, public services, technology com-  of Leading Tourist Destinations and Development of
               panies and other stakeholders. Guidelines are updated   Tourist Offer at Leading Tourist Destinations in 2020
               by the expert team of the Tourism 4.0 Partnership at   and 2021’ was published in October 2019. Training in
               least once a year, according to the technology develop-  catering and tourism provided co-funding for digital
               ment, accessibility of technological solutions, broader   innovation of cultural heritage. Each applicant was
               practice, and other criteria for the digital material. The   required to implement digital innovation of immov-
               document’s purpose is not to give precise and compre-  able cultural heritage in its area and develop tourist
               hensive instructions for digitising the material but to   products and services that build upon digitised units
               define fundamental guidelines and minimum require-  of cultural heritage (e.g., virtual tours and virtual mu-
               ments necessary to ensure the use of materials for en-  seums, 3D printing of souvenirs, augmented reality
               riching the experience of cultural heritage.  applications in tourism, mobile and stationary gam-
                  Technical guidelines complement the Guide-  ification, digitally enriched storytelling and digital
               lines for capture, long-term preservation, and access   animation, digital reconstructions of ruins or archae-
               to cultural heritage in digital form (Issue: 6202–1 /   ological sites …). 
               2013-MIZKS / 17 Version 1.0) prepared by a Ministry of   In this case, this required applicants to 3D digit-
               Culture working group in 2013 for the long-term pres-  ise at least three units of immovable cultural heritage
               ervation of cultural material in digital format (from   from the Registry of Immovable Cultural Heritage,
               now on referred to as e-material) within the agenda   out of which at least one should be further devel-
               of the European Digital Si EU Ti. The guidelines’ first   oped into a tourist experience, following the Slove-
               edition covers the digitisation processes of audio ma-  nia Unique Experiences guidelines (green, boutique,
               terials, video materials, 3D models, image materials   authentic, sustainable, local, experiential, personal
               and 360° photos and videos. This document’s most   …). The focus was on immovable cultural heritage,
               significant contribution is digitising three-dimen-  although exceptions for intangible and natural her-
               sional objects and structures (in 3D models) and vid-  itage were allowed after confirmation by the special
               eo materials. This area has changed and developed the   commission comprised of representatives of the Min-
               most since the last update of the Guidelines for the   istry of Economic Development and Technology, the
               capture, long-term  preservation,  and  access to  cul-  Ministry of Culture, and the Slovenia Tourist Board.
               tural heritage in digital form in 2013. Although clear   For the call, 5,480.00 EUR were allocated, and the pro-
               standards are not yet in place, we can define vital tech-  jects were to be completed by June 2022 (the deadline
               nical guidelines based on industry practice. The T4.0   was postponed from October 2021).
               technical guidelines also set the bar higher for mini-  The call obliged applicants to work closely with re-
               mum standards for digitising image, video, and audio   gional offices of the Institute for the Protection of Cul-
               materials - mainly due to better and more easily acces-  tural Heritage of Slovenia, local, regional, or national
               sible  equipment.  Technical  guidelines  are  accessible   museums, the national library and other national in-



               120 | Proceedings of the 7th UNESCO UNITWIN Conference
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