Page 119 - World Heritage and Tourism Innovation
P. 119

Digital Innovation of Cultural Heritage:

                                  Reflection on Slovenian Story of Success


                                  Urška Starc Peceny                 Matevž Straus
                                  ARCTUR, Nova Gorica Slovenia       ARCTUR, Nova Gorica Slovenia
                                  urska@arctur.si                    matevz.straus@arctur.si

                                  Tomi Ilijaš
                                  ARCTUR, Nova Gorica Slovenia
                                  tomi.ilijas@arctur.si


                                  The paper aims to look back at the ‘digital innovation of cultural heritage’ processes
                                  happening in Slovenia in 2020, 2021, and 2022 after a public call by the Ministry of
                                  Economic Development and Technology. The article summarises the activities and
                                  results of a set of projects that present a novel approach to developing new tourist
                                  offers in Slovenia. In the article, the authors – all involved in the training for tourist
                                  destinations and the execution of some projects – look at both the results of the pro-
                                  jects, their quality and relation to existing tourist offers, as well as at the processes
                                  at leading tourist destinations, know-how and skill-set to conduct such projects. In
                                  the final chapter, the authors envision the needed next steps to reach the mission
                                  to become the leading European country in digitally enriched tourism experiences.
                                  Keywords: tourism 4.0, heritage+, digital innovation of cultural heritage, digitisa-
                                  tion, digitalisation, cultural heritage
                                              https://doi.org/10.26493/978-961-293-417-0.115-128




            Introduction                                  ism products on cultural heritage and are even less

                  ‘Our competition is Netflix and Candy Crush,   engaged in incorporating new digital interpretation
                  not other museums’ (Sree Sreenivasan, former   technologies. The tourism sectors (tourism providers,
                  Chief Digital Officer of the Metropolitan Mu-  tourism destination management organisations) and
                  seum of Art, New York).                 cultural heritage (GLAM and regional offices of the In-
                                                          stitute for Heritage Protection) have – despite having
            On several occasions, investments in cultural heritage   many touchpoints and common aims – very seldom
            have shown both direct and indirect positive impacts.   cooperated in co-creative processes, which changed
            From a tourism development point of view, cultur-  in 2019 with the Slovenian Ministry of Economic De-
            al heritage presents an opportunity and a potential   velopment and Technology’s mission to become the
            source of new digitally enriched interpretation and   leading European country in digitally enriched tour-
            (tourism) experiences. Each registered object of im-  ism experiences and thus combine tourism develop-
            movable cultural heritage conveys a value and learn-  ment with cultural heritage protection and interpre-
            ing that could be interpreted digitally – and thus pre-  tation. The goal was to develop new tourism products
            sented to new audiences in new, engaging ways.  that take inspiration from cultural heritage, engage
               However, tourism management organisations are   new audiences and stakeholders through digital and
            typically not engaged in creating new complex tour-  hybrid interpretation, and, like this, contribute to the



                                              Proceedings of the 7th UNESCO UNITWIN Conference | 115
   114   115   116   117   118   119   120   121   122   123   124