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Raffaela Gabriella Rizzo                             An intangible cultural heritage asset




            Does the Fact that it is Part of UNESCO’s Intangible   Is the Tourist and Day Visitor Who Arrives in Cremona
            Heritage Help Actors to Highlight and Promote Cremona   Aware that he or she is Visiting One of UNESCO’s
            as a Place Where Stringed Instruments are Made?  “Intangible” Sites?
            The rationale behind this question draws inspiration   This latter question, again asked to the district’s actors
            partly from the article by Qiu, Zuo and Zhang, Intan-  and (in this phase, because of the current pandemic,
            gible Cultural Heritage in Tourism: Research Review   it was not possible to reach tourists) not to the tour-
            and Investigation of Future Agenda, in which the au-  ists themselves, is imprinted on the vision and per-
            thors conduct a review of academic studies regarding   ception that the tourist has of the intangible heritage
            the relationship between tourism and ICH, reflecting   represented by ‘violin making in Cremona’. It draws
            on how ICH influences the process of place-making:   its inspiration – though with a qualitative investiga-
            “the image and emotion perceived from ICH deserve   tion – from studies regarding the impact of tourism
            more research, and place-making results within and   on the inscription of heritage (tangible or intangible)
            without ICH elements should be clearer. For example,   of other resources inserted in the UNESCO list. These
            what is the role of ICH in place-making and place-  analyses investigate whether such inclusions in the list
            making? How does ICH contribute to tourists’ cogni-  - in so far as they guarantee the (intrinsic) value of the
            tion and emotion in the place-making process? How   heritage being visited – do or do not become a feature
            do tangible and intangible heritages bring differences   of attraction for the tourist (Huang et al., 2012; Iva-
            in place making?” (Gasparini, 2017; Qiu et al., 2022,   nunik et al., 2021; Bak et al., 2019; Canale et al., 2019;
            p. 15).                                       De Simone et al., 2019; Mariani & Giuzzardi, 2020).







































            Figure 2  Location of the Province of Cremona
            Source  by the Author using QGIS 3.34.4 and OpenStreetMap carthography


                                               Proceedings of the 7th UNESCO UNITWIN Conference | 53
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