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Lorena Lazarić and Kristina Riman


                  petencies, preparing them for adaptability in diverse communities (Kramsch,
                  2009; Franceschini, 2011).

                       Key Takeaways
                        • Process drama provides an innovative framework for simultaneously learn-
                          ing languages and developing intercultural sensitivity.
                        • Through dramatic activities, participants spontaneously acquire language
                          and explore cultural norms, thereby developing empathy, critical thinking,
                          and the ability to adapt to different contexts.
                        • The facilitator plays a key role in creating a safe and supportive environ-
                          ment, adapting activities to the needs of participants, and encouraging
                          creativity and collaboration.
                        • Process drama activities, such as simulations of international events or cul-
                          tural festivals, can be adapted to different age groups.
                        • Key challenges include language barriers, lack of engagement, and organ-
                          isational complexity, while solutions focus on simplicity, clear objectives,
                          the use of visual aids, and ensuring reflection after activities.

                       References and Further Reading
                       Bolton, G. M., & Heathcote, D. (1999). So you want to use role play? A new ap-
                          proachinhow to plan. Trentham.
                       Bowell,P., &Heap,B.(2017). Puttingprocessdramaintoaction.Taylor and Francis.
                       Council of Europe. (2001). Common European framework of reference for lan-
                          guages: Learning, teaching, assessment. Cambridge University Press.
                       Drandić, D., & Lazarić, L. (2020). Monte Librić, regionality in context. Ekonomska
                          istraživanja, 33(1), 1255–1264.
                       Franceschini, R. (2011). Multilingualism and multicompetence: A conceptual
                          view. The Modern Language Journal, 95(3), 344–355.
                       Galazka, A., & Baldwin, P. (2021). Processdramaforsecondlanguageteachingand
                          learning: A toolkit for developing language and life skills. Bloomsbury.
                       Kao, S.-M., & O’Neill, C. (1998). Words into worlds: Learning a second language
                          through process drama. Ablex.
                       Kramsch, C. (2009). The multilingual subject. Oxford University Press.
                       Taylor, P., & Warner, C. D. (2006). Structure and spontaneity: The process drama of
                          Cecily O’Neill. Institute of Education Press.














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