Page 8 - Weiss, Jernej, ur./ed. 2021. Opereta med obema svetovnima vojnama ▪︎ Operetta between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 5
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opereta med obema svetovnima vojnama
Ingeborg Zechner
103 Operette trifft Tonfilm: Mediale Perspektiven auf die transnationale
Tonfilmoperette Anfang der 1930er Jahre
Stefan Schmidl, Timur Sijaric
127 Subversive Obedience: The Film Music of Willi Forst’s
Viennese Trilogy
Luba Kijanovska
145 Die ukrainische Operette der 1920er und 1930er Jahre als Spiegel
gesellschaftspolitischer Entwicklungen
Magdolna Jákfalvi
165 Identity-machines. The Nationalism of Hungarian Operetta
between the Two World Wars
Daniel Molnár
179 288 metres of velvet, 16 pairs of shoes,12 yellow top hats, 5 bathtubs ...
The Staging and Cultural Impact of the 1925 Production
of Halló, Amerika! in the Budapest Operetta Theatre
Michal Ščepán
211 Operettas Staged by the Slovak National Theatre
During the Years 1920–1938
Fatima Hadžić
225 Operetta in Sarajevo Between the Two World Wars
Tatjana Marković
241 Contested entertainment: Discussions on operetta in Belgrade,
the Kingdom of Yugoslavia
Ryszard Daniel Golianek
255 National Stereotypes and Political Issues in Polnische Hochzeit (1937)
by Joseph Beer
Matthieu Guillot
269 Operetta as a Cultural and Historical Symptom:
Offenbach through Karl Kraus
Jacques Amblard
283 Operetta in Marseille (France) During the 1930’s,
a Bridge to the New Cultural Industry: The Example of Tino Rossi
Vita Gruodytė
293 The (Non-)Seriousness of Culture: The case of the Lithuanian Operetta
6
Ingeborg Zechner
103 Operette trifft Tonfilm: Mediale Perspektiven auf die transnationale
Tonfilmoperette Anfang der 1930er Jahre
Stefan Schmidl, Timur Sijaric
127 Subversive Obedience: The Film Music of Willi Forst’s
Viennese Trilogy
Luba Kijanovska
145 Die ukrainische Operette der 1920er und 1930er Jahre als Spiegel
gesellschaftspolitischer Entwicklungen
Magdolna Jákfalvi
165 Identity-machines. The Nationalism of Hungarian Operetta
between the Two World Wars
Daniel Molnár
179 288 metres of velvet, 16 pairs of shoes,12 yellow top hats, 5 bathtubs ...
The Staging and Cultural Impact of the 1925 Production
of Halló, Amerika! in the Budapest Operetta Theatre
Michal Ščepán
211 Operettas Staged by the Slovak National Theatre
During the Years 1920–1938
Fatima Hadžić
225 Operetta in Sarajevo Between the Two World Wars
Tatjana Marković
241 Contested entertainment: Discussions on operetta in Belgrade,
the Kingdom of Yugoslavia
Ryszard Daniel Golianek
255 National Stereotypes and Political Issues in Polnische Hochzeit (1937)
by Joseph Beer
Matthieu Guillot
269 Operetta as a Cultural and Historical Symptom:
Offenbach through Karl Kraus
Jacques Amblard
283 Operetta in Marseille (France) During the 1930’s,
a Bridge to the New Cultural Industry: The Example of Tino Rossi
Vita Gruodytė
293 The (Non-)Seriousness of Culture: The case of the Lithuanian Operetta
6
